Urban art
Showing posts with label Urban art. Show all posts

48 Hours (or Less!) in Kentucky

Sunday, March 20, 2022

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When I saw that Jimmy Eat World was touring with Dashboard Confessional & not coming anywhere near Cleveland, I knew I had to hit the road. It's been two years without live music, & my last show — less than a week before I started to quarantine — was a Dashboard show in Pittsburgh.

The closest show on this tour was Louisville, KY, which is a five-hour drive. It's a 4.5-hour drive from my childhood best friend, Christina, who lives in Cleveland, TN, so we met in the middle! She has a 3-year-old daughter & was thrilled for a quick getaway.

I took three days off work & drove down to Kentucky on a Tuesday. We didn't have time to do much, but here were some highlights.

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Zoetic Walls & Beyond: Searching for Street Art & Happiness

Friday, September 21, 2018

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I've long enjoyed urban art, but lately, I feel like it's become a bit of an obsession - or maybe "passion" is a more positive word for it. I want to find all the street art I can - & I love that more & more of it seems to be going up throughout the city.

I recently started a new Instagram account, @clestreetart, to chronicle my love of murals & to share them with other Clevelanders & anyone else who appreciates art. I started with images I already had in my phone, mostly taken of murals throughout Tremont (where I live) & Ohio City, the next neighborhood over.

Recently, with Mike away on a business trip, I decided to take a solo day to explore Waterloo Arts District, which is easily Cleveland's most art-heavy neighborhood (at least when it comes to commissioned works). It's about a 15-minute drive from me, but I don't often make it out that way, so I loved being able to explore this new-to-me neighborhood on a sunny day.


Many of Collinwood's murals were painted in 2015 as part of the Zoetic Walls project, which was the city's first organized street mural effort, resulting in six murals. The mural one you see above, painted by Cleveland artist Lynnea Holland-Weiss, came from that project & was inspired, in part, by the artwork of the weaver who owns the building.

Attached to Holland-Weiss's mural is a separate mural, also part of the Zoetic Walls project, on the front of the CJ Industrial Supply building. This one was painted by another Clevelander, Dan Isaac Bortz. I love how the two murals bump up against one another like one piece, though they're completely different & clearly created by different artists.


This Atlas-inspired piece, titled "Atlas Against the Wall / Don't Kill Your Lily," is on another side of the same building as the two above. It was painted by Ecuadorian artist Layqa Nuna Yawar, known as LNY, a Latinx immigrant whose artwork typically depicts social justice causes - as this one clearly is. It's called


This beautifully chaotic piece, featuring dozens of line-drawn faces, appears nearby, at East 156th St. & Waterloo, done by the anonymous Brooklyn artist RAE. Unfortunately, as you can sort of see in this photo, parts of the wall - & thus, of this piece of art - have now flaked off in large chunks.


Also at Waterloo & East 156th is this beautiful, industrial-looking piece, painted in 2013 by Baltimore artist Gaia; based on his website, it appears to be titled "Industrial Sunset/Creative Placemaking." This mural is really cool, but Gaia's other works are also pretty incredible. I'd love to see Cleveland score one of his flowered murals!


This building has a weird, creepy vibe to me, & not just because the building is dilapidated. This one was done by Hygienic Dress League (whose logo is around the side of the building, seen in the second & third photos below), described as "a duo who fights crime and corruption in the fair city of Detroit."

If you look closely at the image of the man on the front of the building, you'll see that he's wearing a face mask, Bain-style. This seems to be their standard style of painting - lots of them include the same face mask - but they're also now into, like, gold-painted birds & animals, which I kinda want for my yard.




Annnnd another one at Waterloo & East 156th (yes, these are all very close together) is this piece on the side of the Slovenian Workmen's Home building. Painted by Argentinian artist Ever, it's called "Description of the Union Workers," which is... well, kind of heartbreaking.



Around the corner from these pieces, you'll find the Waterloo Arts building, which houses the organization dedicated to arts revival in the neighborhood. The history is sort of fascinating, actually: The area, which was originally called Collinwood, was in a terrible state of decline around 2002, & this organization was one of the ones that helped bring about its revival.

As you can see, lots of the buildings in the Waterloo Arts District are abandoned or rundown, & I certainly wouldn't say the neighborhood itself is, well, revived - but the art makes it feel particularly vibrant & intimate. Unfortunately, I couldn't find any information about the artwork on the building itself, but it's pretty cool to look at.


This is the mural on the other side of the Waterloo Arts building, with a description of the work & those who helped create it in 2010. It reads, "This mural represents our vibrant community and shows what can occur when established artists collaborate with students."



Annnnd here's another mural from the Zoetic Walls project, this one painted by Cleveland artist Bob Peck. These splashy, brightly colored pieces seem to be his specialty.



What a shame that someone has defaced this Zoetic Walls piece by Kyle Nielsen. I think it says "LIT," but I can't find a single thing about it online. Any fellow Clevelanders know anything about it? That is one seriously pink building.


I wasn't able to fully photograph this mural, another one from Zoetic Walls, because it's on one side of someone's driveway &, well, there was a car in that driveway (as you can see) - but it's obvious it's really cool. It was painted by Canton artist Steve Ehret, who describes himself as "The Man Behind the Monsters." Seems appropriate!


The next two photos are actually of the same mural, a long piece that covers the back of a wall connecting a few different businesses - & again, there were cars parked in the way, so I couldn't fully photograph it. This one, which you'll find at East 161st and Waterloo, was done by California artist Nick Mann, a.k.a. Doodles, a.k.a. Nikos Manopolous, a.k.a. @dustofamerica. (Dude's online presence is real hard to figure out.) It's called "A Prayer for Collinwood," & you can see the whole thing on his Facebook page.



Brooklyn artist Gabriel Specter painted this mural on the side of St. John's Lodge. Yes, it's a pile of folding chairs, & no, I cannot find anything about it online that would explain why he chose this imagery. But it's kind of cool, right? I like the way he painted it in an ombre, especially given the way the building is shaped - with that stair-step roof.


London artist Camille Walala transformed an old Key Bank building into this truly stunning work of art, painted on all sides, now known as the Pop Life building. I can't tell whether its open yet, but The Plain Dealer reports that it's to become a yoga studio & juice bar. It looks like they ran a class in July, but there's nothing else on their schedule, so I'm not sure what's up. If the inside is anything like the outside, though, I'm gonna need to check it out immediately. 


Kaboom! I couldn't find much online about this piece, except that it seems to have been painted in 2009 as part of a project called Waterloo Walls that may or may not have gone any further. If a random blog is to be trusted (& I mean, that's where I'm writing, isn't it?), the artist of this piece was Christopher Diehl.


I was about to leave Collinwood but first decided to drive around the neighborhood to see if I could find anything else. A little further out, I found this mural painted on the side of a barbershop by Baltimore's Gaia. I only photographed one side, but it surrounds the building.


Just around the corner from that one, I spotted two more, including this one from Lynnea Holland-Weiss, which might be my favorite of the day (aside from the Pop Life building, which stands alone). it seems to just be painted on the side of a very small abandoned building? Whatever, I love it.


And finally, the second mural by Dan Isaac Bortz, found on the side of an auto repair shop adjacent overlooking a pocket park. The day I came by, there was a church festival happening just around the corner, all loud music & laughter in the background. It felt like a pretty perfect afternoon.


After all of this, I discovered that there's a map of all the Zoetic Walls pieces - & that I missed some of them while on my solo trip. Still, I did a pretty good job of spotting most of them, plus a couple extra, & I'll be back soon to catch the ones that didn't make the first cut.

I may or may not chronicle some of my other mural adventures here on the blog (Ohio City & Gordon Square are full of great ones, & it looks like Slavic Village might be, too), but Waterloo Arts seemed like the appropriate place for the debut of my newfound hobby. What do you think? Do you want to see more? 

In the meantime, follow along on @clestreetart for more art photos from me. Enjoy! 
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It's My Party & I'll Cry if I Want To (But I Don't Want To)

Wednesday, August 8, 2018

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photo by a life en route 

Birthdays are sometimes a little weird, right? Like, the older you get, the more you want to channel that birthday enthusiasm of your youth, but the more difficult is can feel to actually do it. I'm not unhappy or ashamed to be growing older (as that adage says, “Do not regret growing older. It is a privilege denied to many."), but it just starts to feel strange to, like, celebrate your own mortality.

In that vein, I was admittedly a little unnecessarily mopey for much of my birthday weekend, going too deep into the mental rabbit hole with questions like, "Am I living it right?" (cue the John Mayer!), "Do my friends really like me?" (um, I hope so), & "What am I even doing with my life?" (answer: living it). Still, I managed to have a pretty darn great birthday weekend, in spite of myself - thanks mostly to my husband & my mom, who told me to suck it up & made me do a few things that were much more fun than having an existential crisis.

On Friday, I had a great birthday dinner at Fat Cats (their cashew-crusted tofu noodle bowl is divine) with Mike & my mom, then we headed downtown to see Hamilton at Playhouse Square. I hadn't listened to any of the music beforehand, & my God, yes, it totally lived up to the hype. I absolutely wept at the end. We're considering getting season tickets to the theater for next year.







On Saturday morning, I woke up early (for me) & headed back downtown for a collaborative event hosted by Harness Cycle & The Cleveland Flea, two of my favorite things about the city. My college roommate, Cortney, met me there for a morning ride, then we grabbed our boxed lunches from Byte Cafe (so tasty) & headed to Public Square for a picnic with a small group.

For about an hour, badass entrepreneurs Anne Hartnett (owner of Harness) & Stephanie Sheldon (founder of the Flea) chatted with us about life, business, & balance while the sun shined down & the Goodyear Blimp flew above us. We also went home with sweet swag bags full of Harness/Flea goodies.





On Saturday, I celebrated with a few close friends at Hi and Dry, one of my favorite spots in my neighborhood. I consumed a massive pulled pork sandwich because I am a shameless food-monster, & we spent the evening drinking on patios & even taking shots to toast birthday boy Barack Obama.

A lot of the people I invited on Saturday couldn't come - & many of them backed out the day or night of the event - which had me feeling really down until Mike pointed out that it's about quality, not quantity. The few friends who did show up are some of my favorite humans in the world, & it was a really fun night. I took almost zero photos, which should prove it!





On Sunday, the day of my actual birthday, I slept in, then Mike & I went to Brewnuts for birthday donuts. I housed a blueberry Trix donut & a rosé slushie (& said hi to fellow birthday girl Reena, who was celebrating there with her friends & a few fellow bloggers!) before we wandered Gordon Square a bit to check out some of the new murals on display.

We realized we'd only eaten donuts all day, so we stopped in XYZ the Tavern for a quick brunch. Look at that glorious breakfast burrito, wouldja? (And no, Mike & I took no photos together on my birthday, just photos of me consuming various treats. Whoops.)







We closed out the day with a viewing of Harry Potter & the Goblet of Fire, a lot of cuddling of cats, & an flatbread from Town Hall delivered by Uber Eats.

Thank you to everyone who called, texted, social media messaged, & otherwise celebrated with me this weekend. There was a time when I didn’t expect to make it to 30; every year after is an incredible blessing, & I credit the amazing people in my life for making it so. I love you.

And as always, I end my birthday with a donation to the cause of suicide awareness & prevention, this year to the American Foundation for Suicide Prevention - a symbol of my appreciation for this life I love. If you’re so inclined, I hope you’ll consider doing the same.

Here’s to 34!
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#InfiniteKusama Comes to Cleveland, & I Could Not be More Joyful about It

Monday, July 16, 2018

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When I learned that the Cleveland Museum of Art was hosting Yayoi Kusama's Infinity Mirrors exhibit starting this summer, I pulled the trigger & bought a museum membership. I'd been considering it for awhile, but as soon as I learned that museum members got first crack at Kusama tickets, that sealed the deal for me. The day tickets when on sale, I was in Columbus with my mom - & joined the long online ticket queue from brunch! Thank goodness for technology.

CMA has really gone all-out for this exhibit, hiring 100+ additional employees to staff it & even decorating the outside of the museum - & the surrounding trees! - in Kusama's signature red & white polka dots.






When you walk into the museum's massive, beautiful atrium area, you're greeted by the first exhibit, a field of large, mirrored balls lying in leaves. Behind it, you can see part of another exhibit - those giant, pink orbs suspended from the ceiling, which are part of an exhibit on the lower floor that extends allllll the way up. The overall effect is very cool & modern - & makes you really excited for what's to come.

Tickets are sold in 15-minute time increments, so when you get there, you just pop into the line labeled with your assigned time. This helps ensure that the exhibit runs smoothly & isn't overcrowded - which is important considering that tickets to see this exhibit have been selling like gangbusters!










The exhibit includes a few installations you can wander & explore at your own leisure, but the real meat of it is five small, free-standing rooms that are entirely enclosed. You wait in line at each one until it's your turn for a museum employee to let you into the room for a 20- or 30-second period. 


Yep. Twenty to 30 seconds is all you get in each room of the exhibit - & you're not allowed to get back in line to go through again. It's barely enough time for your eyes to adjust, much less to really take in the art or to photograph it, which is really disappointing but also, apparently, "the artist's intent." OK. 



This room is... full of polka-dotted phalluses, yes. The room is called Phalli’s Field, & phalluses are made up stuffed cotton. They look like wacky barnacles growing out of the ground. Kusama found the process of creating these tubers to be taxing, so she began to use mirrors to create the illusion of more of them. 

This room isn't the only place where she uses these phallic tubers, which Kusama calls Accumulations. She's covered furniture in them, made hanging wall art of them, & created a garden of them that's reminiscent of the Loch Ness Monster.  




I didn't get great photos in the other rooms because of the time limit. More than I wanted to photograph them, I wanted to enjoy them, & I decided that was more important than being able to blog about them. None of these photos to justice to any of this art, but that's OK. Maybe that's how art should be sometimes, you know?

These exhibits have really dramatic names, like The Souls of Millions of Light Years Away & (that's the one with the colorful lights), Aftermath of Obliteration of Eternity (the one with the golden lanterns). Perhaps the coolest, in my opinion, is All the Eternal Love I Have for the Pumpkins, which visitors aren't allowed to photograph (though no one explained why, exactly). That one is full of glowing, polka-dotted kabocha squashes, & a museum staffer accompanied us into the room to be sure we didn't break the rules. 




One of my favorite parts of the exhibit is Love Forever, a box made of wood, mirrors, metal, & lightbulbs. You can look in either of two holes in the side of the box to see what felt like an infinity's worth of flashing lights - like being on the inside of a kaleidoscope. I wish I could've fully captured it in photos, but this will have to do (unless you want to check out other people's awesome Instagram videos of it). 

The description of this exhibit says, "For the artist, the concept of 'Love Forever' stood for civil rights, sexual liberation, the antiwar movement, and the activist groups of the 1960s." Heyyy, social justice art! As much as I loved looking in the box, I really loved watching other people look in the box. Everyone just seemed so joyful as soon as they popped their heads inside. 



And how about those giant pink orbs? That exhibit is called Love Transformed Into Dots, & it has a very stuck-inside-a-dollhouse feel. There's a 20-second room full of them, but they're also all over the rest of the exhibit so that you can see them up close. They're inflatable... & enormous


There's also a small version of them. You peek through a tiny hole & see hundreds of thousands of tiny pink orbs, mirroring off one another, forever. 





These very colorful displays are both 1D & 3D, & they represent Kusama's more recent work - as recently as 2016, in fact, which is kind of amazing given that she's 89 years old. Did you hear me? She is 89 years old creating all these amazing, glorious, intricate artwork, proving that ain't nothin' but a number.  




The final room of the exhibit is one that's fully interactive & where visitors can spend as much time as they want. The Obliteration Room, set up like a home - complete with a kitchen, a library, an office, & more - is painted entirely in white, from floor to ceiling & everywhere in between. When you enter the room, a museum attendant hands you a small sheet of colorful polka dot stickers, with instructions to stick them wherever you want (except on the ceiling).  

I especially love the Cleveland touches, including a leg lamp a la A Christmas Story & the Cleveland skyline above the sink. I wanted to take more photos in here, but Mike didn't want to disrupt anyone else's experience - perhaps because of what happened the last time we went to a Kusama exhibit









Yayoi Kusama has been making art for a damn long time, but it's only in the past few years that she's been truly recognized & respected for the breadth of her work. She's achieved cult status - at nearly 90 years old! She lives in Japan, where she continues to make art shown around the world, including a new upcoming exhibit in London. 

"I love painting so much that nothing else matters," she said in one interview. 

I felt so lucky to be able to score tickets to this exhibit - & I'd like to go again, if I can manage to get a second round of tickets. If you're able to go, I can't recommend it highly enough. Though Kusama's art is said to be inspired, in part, by her severe psychiatric issues, they manifest themselves in such a way that you can't but feel joyful & full of awe when viewing her work. 


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